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Posts Tagged ‘Love’

For Sharon (And All the Many Brave People in the World)

May 23rd, 2008

For Sharon (And All the Many Brave People in the World)

I stood
Like a statue
Unmoving, unseeing
Not speaking, not wanting
To break
The fragile silence that
Engulfed us like
A wall oppressing,
Suffocating, separating
Me… from you.

But I was dying to live!
And breathe, and see
The many things I haven’t seen
And move, and do
The many things I haven’t done.
How I longed to look at you
(Take a long and good look at you.)
To speak, and be, with you.
Oh how I yearned to touch,
Feel, and love you.

But then again, as always,
I was afraid
Of you, and me,
And the many things
I haven’t seen and done
(And of I-don’t-but-God-knows-what-else).
And then again, as always,
I had to hide
And be content
To peek from inside.

Suddenly, brave as an angel
Come down from heaven, you
Freed me from the chains
I myself forged
And wound around me.
You looked at, talked with, me
And with a smile, shattered
The walls of timidity and fear
That imprisoned and prevented
Me from loving you.

And then, I could breathe, though gasping
And so, I could see, though squinting
And more, I could move, though trembling
And yes, I could speak, though stammering
And now, I could feel, though numbing
At last, I could love, though wanting.

Err… This is to say
“Thank you”
For “I love you“?

Life is My One Great Love

May 19th, 2008

life.jpg

Fate, Faith, and Reason

May 5th, 2008

On the eve of the day when I was thrown into this world, I go back reflecting on the happenstances that have helped me, for better or for worse, become the person that I am.

There is a saying which goes: “Man proposes, God disposes.” How our life turns out in the end is a matter of both fate and faith, destiny and freedom.

I believe (in my destiny), therefore I will accept (my fate). Besides, we can’t do otherwise. It’s in our nature (fate?) as human beings to always try to see or incorporate our misfortunes into the greater scheme of things and find their lessons and/or meanings.

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Cinema Paradiso and Barthes’s “A Lover’s Discourse”

April 17th, 2008

Saw Cinema Paradiso years ago. In it, an old man tells a young man this beautiful story about the lover who on the eve of finally fulfilling his desire (i.e., getting his love), left, without so much as a word or explanation.

Why did he leave? Did he resent the fact that his love had to test his love? Did he get scared of the impending success of his quest? Did he tire of the waiting? Lost his love/desire? Gotten what he wanted (proven to himself that he had the capacity to suffer for his love)?

We do not know.

Why would we give up something/someone that we desire (with the whole of our being) just when we’re about to get it/her/him?

That story is what in the film made the deepest impression in me.

Many years later, I got to read this book by Roland Barthes, “A Lover’s Discourse” (1977). In the section entitled “Waiting,” we find this fragment:

“A mandarin fell in love with a courtesan. ‘I shall be yours,’ she told him, ‘When you have spent a hundred nights waiting for me, sitting on a stool, in my garden, beneath my window.’ But on the ninety-ninth night, the mandarin stood up, put his stool under his arm, and went away.”

Books Liked/Loved

March 31st, 2008

Books Liked/Loved:

The Count of Monte Cristo (Alexander Dumas)
El Filibusterismo (Jose Rizal)
The Little Prince (Antoine de Saint-Exupery)
The Favourite Game (Leonard Cohen)
Thus Spoke Zarathustra / Genealogy of Morals (Friedrich Nietzsche)
The Trial / Metamorphosis (Franz Kafka)
Doktor Faustus (Thomas Mann)
Cubao Midnight Express (Tony Perez)
The Alphabet of Grace (Frederick Buechner)
Zen and the Art of Motorcycle Maintenance (Robert Pirsig)
Written on the Body (Jeanette Winterson)
The Brothers Karamazov (Fyodor Dostoyevski)
The Unbearable Lightness of Being (Milan Kundera)
Personal (Rene Villanueva)
Foucault’s Pendulum (Umberto Eco)
Lady Chatterley’s Lover (D.H. Lawrence)
Siddharta / Narcissus and Goldmund (Herman Hesse)
The Book of Lights (Chaim Potok)
Angela’s Ashes (Frank McCourt)
The God of Small Things (Arundhati Roy)
A Little Book on the Human Shadow / Iron John (Robert Bly)
It Is Here Now – Are You? (Bhagavan Das)
The Last Three Minutes (Paul Davies)
The Dancing Wu-Li Masters (Gary Zukav)
The Clowns of God (Morris West)
Zen Guitar (Philip Toshio Sudo)
Sophie’s Choice (William Styron)
The Artist’s Way (Julia Cameron)
The Day of the Jackal (Frederick Forsyth)
Inside the Music (interviews with contemporary musicians)
Writing Down the Bones (Natalie Goldberg)
Ordinary People (Judith Guest)
The Teachings of Don Juan (Carlos Castaneda)

Gerontophobia (The Fear of Getting Old)

March 22nd, 2008

“Keep me searchin’ for a heart of gold, and I’m gettin’ old.”

Neil Young, “Heart of Gold”

A few months ago, I met Lizza, who’s in her early 30’s. When she realized I was older, she talked about “feeling it.” The coming of age. Old age… and all its concomitant side effects.

I feel the same. There’s a certain wistfulness in the realization that time’s passing. And that sooner or later, time, my time, will be up.

Most of my friends and acquaintances merely laugh it off.

I don’t. (Or, I try to, only that I imagine hearing a faint echo, as if the grim reaper itself were Old Sir Mick singing “Time is on My Side.”)

I feel old. Even when I feel young inside, my body feels old.

Even what I used to think was this raging fire inside my soul seems to be just dying embers.

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Athena: Variations on a Theme

February 14th, 2008

(lovingly dedicated to friends, romans, countrymen, lovers, philosophers, philosophasters, grecophiles, ichtyophiles, insomniacs, amnesiacs, maniacs, dionysiacs, alcoholics, addicts, narcoleptics, lunatics, etc… happy valiant times!)

Athena: Variations on a Theme

I

Deep in the night
I stared into the eyes of an owl
Not finding sleep
I sought love
And tripped on wisdom instead.

II

Deep in the night
Staring into the moonlit eyes of an owl
I fought love
Sought wisdom
And caught sleep instead.

III

Deep in the night
Staring at the moonlight
With the eyes of an owl
I sought, without finding
Sleep, wisdom, love.

- ian lomongo, september 2002

Going with the Rhythm

January 24th, 2008

Reflections on my limitations as an actor/artist, 2003.

best regards,

ian

—-

Going with the Rhythm

By Michael Ian Lomongo, 2003

Ah! If it were only possible to begin a task with the very lessons that one has gained in the process of doing it… one perhaps might be better equipped to meet the challenges posed by that task.

When I first read the script of “Rhythm Method” (in its English translation), I immediately liked it because it was both light/funny and weighty/serious. It was about Dr. Ogino Kyusaku, the doctor who first correctly determined the ovulation period of women and how he made that discovery. It had dramatic and comedic scenes, and even raised philosophical/ethical and gender issues. I thought it would be nice to take on the role of this doctor who was so consumed by his work that he didn’t know how to go about doing other things. I thought I fit the role and so told Herbie Go (the director) that I would like to audition for the role or even be the understudy for it. Herbie did give me the part.

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The Song of Maria Clara

January 23rd, 2008

My rough Tagalog translation of Jose Rizal’s “Song of Maria Clara,” inspired by my inability to recall Bienvenido Lumbera’s translation (“Matimyas mabuhay sa sariling bayan, mapagmahal dito ang sikat ng araw.”) in his libretto for Ryan Cayabyab’s Noli musical as well as my inability to get a copy of Rio Alma’s:

Ang Awit ni Maria Clara

Matimyas mabuhay sa tinubuang bayan

Kung saan kaibigan ang lahat sa ilalim ng araw

Buhay ang hanging umiihip sa kanyang bukirin

Kamataya’y di saklot ng hinagpis at higit na malambing ang pag-ibig.

Malalamyos na halik ang naglalaro sa mga labi ng isang ina sa paggising

Ng sanggol sa kanyang dibdibm, habang inaapuhap naman ng mga bisig

Ng sanggol ang leeg ng ina upang doon ito mangunyapit;

At sa pagtatama ng mapagmahal na pagtingin, sumisilay sa mga mata ang ngiti.

Matimyas mamatay para sa tinubuang bayan

Kung saan kaibigan ang lahat sa ilalim ng araw

Kamatayan ang ihip ng hangin sa kanyang kawawang

Walang bayan, walang ina, walang pagmamahal.

December 30, 2007

Rizal Day

Angono, Rizal

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On Teachers, Teaching, and Learning

January 22nd, 2008

 

The sequel to my article on “Acting as a Path to a Spirituality of Compassion.”

best regards,

ian

 

 

On Teachers, Teaching, and Learning

by Michael Ian Lomongo, May 31, 2002

 

“When the student is ready, the teacher will come.”

In a previous essay that I wrote, I reflected on the spirituality of acting (and of any art for that matter) and the question of a possible incongruity between the excellence of one’s art (craft/skill/talent/competence) and one’s life (the great Art of one’s life). A friend commented that my question comes from the tendency to confuse two different realms, which may fortunately coincide, but need not do so. The level of a person’s artistic maturity is not necessarily an indication of personal (integral) maturity. Simply put, quite a number of Great artists can be real MAJOR-assholes.

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