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Read “The Da Vinci Code” in 2005, after deliberately ignoring it for quite some time because of the hype. And then saw the movie later.

Well, the wealth of information (esp. regarding symbols) is generally sound. But it doesn’t hold a candle to the erudition of Umberto Eco’s “Foucalt’s Pendulum.” (I have yet to understand the elaborate explanation of how Foucault’s Pendulum works…)

One thing I liked in the novel is the rather sympathetic portrayal of the head of the Opus Dei, Bishop Aringarosa.  (Not so in the movie.)  I’ve heard a lot of negative publicity regarding the Opus Dei and their founder Jose Ma. Escriva. (From the late Larry Henares, in his TV show and Philippine Daily Inquirer column, as well as from a Filipino priest who studied in a university run by the Opus Dei…) Bishop Aringarosa may be ultra-conservative in his theology but in the end, when the time came for his faith to be tested, his heart proved to be ultimately in the right place.

Also, it had a more hopeful, happy ending than “Foucault’s Pendulum,” which was darker and more poignant. Eco’s novel bewails the lack of understanding that so-called believers/enlightened ones have. Parang si Elsa sa Himala: “Walang himala! Ang himala ay nasa puso ng tao!”

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Mwahahahaha! Just had to let the cosmic laughter resonate, no, reverberate in my body…

Everything is grace! Even when shit happens… Divine piss, holy shit!

I have always been wary of spirituality/religiosity that denied/denigrated the body. Non summus angeli! (We’re no angels!)

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From “The Book of Lights” by Chaim Potok:

“From the age of fifteen until the age of twenty-one he lived in the apartment world of his aunt’s whispery talking and his uncle’s coughs and brooding silence, and he did not know which was more frightening. For a while after his cousin’s death he thought his family had somehow been singled out for a special curse. But he talked to friends and found that throughout the neighborhood ran a twisting river of random events: parents died in slow or sudden ways, children were killed, relatives slipped young from life. The world seemed a strangely terrifying place when you really thought about it. He tried not to think about it too often.

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“… Listen to Me in the truth of your soul. Listen to Me in the feelings of your heart. Listen to Me in the quiet of your mind.

“Hear Me, everywhere. Whenever you have a question, simply know that I have answered it already. Then open your eyes to your world. My response could be in an article already published. In the sermon already written and about to be delivered. In the movie now being made. In the song just yesterday composed. In the words about to be said by a loved one. In the heart of a new friend about to be made.

“My Truth is in the whisper of the wind, the babble of the brook, the crack of the thunder, the tap of the rain.

“It is the feel of the earth, the fragrance of the lily, the warmth of the sun, the pull of the moon.

“My Truth - and your surest help in time of need - is as awesome as the night sky, and as simply, incontrovertibly, trustful as a baby’s gurgle.

“It is as loud as a pounding heartbeat - and as quiet as a breath taken in unity with Me.

“I will not leave you, I cannot leave you, for you are My creation and My product, My daughter and My son, My purpose and My… ‘Self.’”

—

The above quotation is from the last portion of Neale Donald Walsch’s “Conversations with God, Book 1.” I’m quoting it at length because I think it gives a general idea of what pantheism is all about.

Pantheism is, simply put, the belief that God is everything, or conversely, that everything is God. Of course, some philosophers have pointed out that pantheism is virtually an atheism. To believe that everything is God is to make the idea of “God” profane. If God is immanent (to the universe) and not transcendent, then why use the word “God” at all? The very notion of “God,” they argue, presupposes the idea of “transcendence.” Pantheism, insofar as it denies the transcendence of God, is virtually an atheism.

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Books Liked/Loved:

The Count of Monte Cristo (Alexander Dumas)
El Filibusterismo (Jose Rizal)
The Little Prince (Antoine de Saint-Exupery)
The Favourite Game (Leonard Cohen)
Thus Spoke Zarathustra / Genealogy of Morals (Friedrich Nietzsche)
The Trial / Metamorphosis (Franz Kafka)
Doktor Faustus (Thomas Mann)
Cubao Midnight Express (Tony Perez)
The Alphabet of Grace (Frederick Buechner)
Zen and the Art of Motorcycle Maintenance (Robert Pirsig)
Written on the Body (Jeanette Winterson)
The Brothers Karamazov (Fyodor Dostoyevski)
The Unbearable Lightness of Being (Milan Kundera)
Personal (Rene Villanueva)
Foucault’s Pendulum (Umberto Eco)
Lady Chatterley’s Lover (D.H. Lawrence)
Siddharta / Narcissus and Goldmund (Herman Hesse)
The Book of Lights (Chaim Potok)
Angela’s Ashes (Frank McCourt)
The God of Small Things (Arundhati Roy)
A Little Book on the Human Shadow / Iron John (Robert Bly)
It Is Here Now - Are You? (Bhagavan Das)
The Last Three Minutes (Paul Davies)
The Dancing Wu-Li Masters (Gary Zukav)
The Clowns of God (Morris West)
Zen Guitar (Philip Toshio Sudo)
Sophie’s Choice (William Styron)
The Artist’s Way (Julia Cameron)
The Day of the Jackal (Frederick Forsyth)
Inside the Music (interviews with contemporary musicians)
Writing Down the Bones (Natalie Goldberg)
Ordinary People (Judith Guest)
The Teachings of Don Juan (Carlos Castaneda)