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Posts Tagged ‘Art’

Neo-Angono Artists’ Statement on “Urban Wonderland: The Turo-Turo Project”

February 1st, 2008

We’ll be in Intramuros tomorrow to participate in the opening activities of the NCCA for the Philippine Arts Festival. Am posting our statement on the project and its Tagalog translation.

best regards,

ian

 

ARTISTS’ STATEMENT on

“URBAN WONDERLAND: THE TURO-TURO PROJECT”

 

The Neo-Angono Artists Collective presents new spheres of visual engagement through “Urban Wonderland: The Turo-Turo Project” – a site-specific zone intervention work wherein the group collaborates with the local community and residents of Intramuros. Graduating from the original concept of a “mural,” the work aims to transform several parts of the façade/structure of a chain of stores and eateries situated across the National Commission for Culture and the Arts building on Gen. Luna St. Appropriating the theme of “Public Art” as a modern allegory, the installation work reflects the geographic mosaic of location and identities. The work would touch on some episodes of Philippine history side by side with present social realities. The jarring juxtaposition of disparate elements in the work represents issues of displacement and the blurring of boundaries while hinting at questions regarding the nature of power and the use of art as a mechanism for social change.

As a descriptive reference to the “public,” the collective’s work hopes to serve as a contemporary rhetoric, integrating art into the public realm. This would be experienced on the day of production (February 1, 2008), when the group places life-sized and free-standing images of personages and characters scattered along the front parking lot of the work’s site. As a way of examining contact zones presented as dioramas of site-responsiveness, the public is invited to interact with the free-standing images by inserting their heads through some of the figures, to be photographed and integrated into the “scene” as a vital part of the project.

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Paghihintay sa Chuvatienes…

January 26th, 2008

Paghihintay sa Chuvatienes…
ni Michael Ian Lomongo, August 18, 2006

Hindi maikakailang malaki na rin ang naging impluensya ng salitang bading o gay lingo sa pang-araw-araw na pananalita ng madla. Sa pinoy gay lingo, kapansin-pansin ang mala-chopsuey na paghahalo ng iba’t-ibang wika (Tagalog, Japanese, Spanish, English, atbp.) at sari-saring alusyon sa pop culture (gaya ng mga pangalan ng mga artista). Kadalasan, dahil na rin sa dami ng variations at pagpapalamuti ng mga salita, halos ‘di mo na makilala at malaman kung saan hinango ang mga ito.

Halimbawa, san kaya nagmula ang katagang “chuvatienes”? Maaaring ang “chuva” ay variation ng “chever/cheber,” na maaari namang pinaikling “whatever/whichever” (o posible rin sigurong updated version ng salitang Tagalog na “keber,” na mula naman sa Spanish “que ver” ); ang “tienes” naman (kung saan hinango ang “chenelyn”) ay Spanish ng “you have.” Kaya, kung tutuusin, ang “chuvatienes” ay Spanglish ng “what-have-you.” Sa madaling salita, “anuman”… “whatever.”

Nitong nakaraang Hunyo, napanood ko ang produksyon ng Tanghalang Pilipino ng “Waiting for Godot” ni Samuel Beckett. Bilang pagdiriwang sa ika-isandaang taon ng kapanganakan ni Beckett, nakipagtulungan ang CCP, Alliance Francaise, Embahada ng Pransya at NCCA para imbitahan ang isang direktor mula Avignon, si Alain Timar, na idirihe ang isang adaptasyon ng nasabing dula (sa panibagong salin ni George de Jesus III).

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Going with the Rhythm

January 24th, 2008

Reflections on my limitations as an actor/artist, 2003.

best regards,

ian

—-

Going with the Rhythm

By Michael Ian Lomongo, 2003

Ah! If it were only possible to begin a task with the very lessons that one has gained in the process of doing it… one perhaps might be better equipped to meet the challenges posed by that task.

When I first read the script of “Rhythm Method” (in its English translation), I immediately liked it because it was both light/funny and weighty/serious. It was about Dr. Ogino Kyusaku, the doctor who first correctly determined the ovulation period of women and how he made that discovery. It had dramatic and comedic scenes, and even raised philosophical/ethical and gender issues. I thought it would be nice to take on the role of this doctor who was so consumed by his work that he didn’t know how to go about doing other things. I thought I fit the role and so told Herbie Go (the director) that I would like to audition for the role or even be the understudy for it. Herbie did give me the part.

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On Teachers, Teaching, and Learning

January 22nd, 2008

 

The sequel to my article on “Acting as a Path to a Spirituality of Compassion.”

best regards,

ian

 

 

On Teachers, Teaching, and Learning

by Michael Ian Lomongo, May 31, 2002

 

“When the student is ready, the teacher will come.”

In a previous essay that I wrote, I reflected on the spirituality of acting (and of any art for that matter) and the question of a possible incongruity between the excellence of one’s art (craft/skill/talent/competence) and one’s life (the great Art of one’s life). A friend commented that my question comes from the tendency to confuse two different realms, which may fortunately coincide, but need not do so. The level of a person’s artistic maturity is not necessarily an indication of personal (integral) maturity. Simply put, quite a number of Great artists can be real MAJOR-assholes.

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