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Archive for the ‘Art’ Category

Happenstance

June 14th, 2009

I remember this film I saw in one of the French Spring Film Festivals, “Chance or Coincidence” about an “eventologist” (or someething) whose “other” job is to find connections/meanings in the chance occurences of life. I don’t remember the details of the story, it’s a love story (I think). I liked it, and also this Nat King Cole song in it, with the words “For all we know/care…?” Ala lang, baka lang alam n’yo. Am being whimsical here. It might have some meaning in the greater scheme of things. Hehehe.

Was also fascinated by “Sliders” (the TV series with Jerry O’Connell?) and “Sliding Doors” (with Gwyneth Paltrow).

In the TV series (based on a scientific theory, the “many-possible worlds” theory), the character played by Jerry, with his friends and professor (John Rhys-Davies), travel through a wormhole that leads to a parallel universe. Same time, different world. In some episodes, they even get to meet their alter-egos.

The movie “Sliding Doors” is premised on this one triviality: whether Gwyneth’s character is able to get on the subway on her way home or not. And the two parallel lives of Gwyneth play themselves out, each radically different from the other — all because of missing/not-missing a train ride. The movie however makes this intriguing, though perhaps unwarranted, conceit. The two Gwyneths (almost meet physically in an elevator) become “reconciled” during this scene by having only one singular experience, implying that the events which would follow from now on would be the same, even if they diverged earlier. Perhaps her inner reconciliation brought about the reconciliation of two divergent worlds? Perhaps she is owned by a destiny that’s greater than all the numerous happenstance of her life?

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Love at First Sight

April 7th, 2009

Do you believe in love at first sight?

I do.

Saw this little book “The Alphabet of Grace” by Frederick Buechner in the bargain bin of NBS, bought it (for P50), and fell in love with it. Lent it to someone who, of course, lost it. And then, after some time, I serendipitously found and bought a new one (for P300). It’s about the spiritual experience of, in his own words, “a part-time novelist, Christian, pig.” What caught my attention: the title. What I loved in it: a very human, semi-mystical approach to spirituality.

Am thinking of translating it to Tagalog someday. I tried, and never got past the introduction. Will have to find time, someday.

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Nietzschean Buddhism Redux

March 27th, 2009

I’ve been trying to examine my understanding/misunderstanding of the place of eros/desire” in Buddhism and Western philosophy. Re-read Plato’s “Symposium.” (Will had “Phaedrus.” Also the “Dhamappada.”)

Yes, it’s true. I got my understanding of Buddhism mainly through Western interpreters. Jacques Maritain’s “Introduction to Philosophy,” if I remember correctly, makes a distinction between Hinduism and Buddhism that’s quite striking. He says that while 11Hinduism saw INDIVIDUAL EXISTENCE as evil, Buddhism saw EXISTENCE ITSELF all Hindus meant the return to Brahman. (The world is maya/illusion.) The Buddhist Nirvana, on the other hand, is the “cessation of life,” which meant the “cessation of desire.”

In “The Birth of Tragedy,” Nietzsche tells this story about a man who confronts the laughing Silenus about the secret of life. Silenus tells the inquirer, “Do you really want to know? … Here it is: It were better for you not to have been born. And the next best thing? To die early.”

Nietzsche acknowledges the pessimist Schopenhauer as a major influence to his o thinking. Always the onfused mind, I may have mixed all these stuff in my head.

But it’s still quite true that “eros/desire” in both Christianity and Buddhism has been, so to say, problematized. The tradition of Christianity has a wealth of discourses on the dangers posed by desire and has probably more than a number within its tradition whose solution to the problem is to extinguish it, cut it off. The Buddhist notion of detachment/equanimity appears to be quite similar to Stoicism, a kind of indifference to life’s vicissitudes. And the way I see it, this detachment/indifference can only be attained through the weakening of eros/desire.

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Excerpts from “When Fish Talk: A Retrospective” by Pancho Vera Lapuz (in NU107 Rock Awards X Mag)

March 9th, 2009

Excerpts from “When Fish Talk: A Retrospective” by Pancho Vera Lapuz (in NU107 Rock Awards X Mag):

“… The only thing that doesn’t change is change. Less than a month ago, scientists discovered a black hole in space that emits a tone in the key of B flat. In the key of C, that is the minor 7th note, which could make the C scale Dominant, or Blues, or it could be a chromatic passing tone, Jazz, on its way up to the Major, down to the diminished, or through to the melodic minor. It could even be in its own scale of B flat, indifferent, arrhythmic. No mention of rhythm, just tone. It takes both tone and rhythm to make music, in the standard sense. Maybe tone is all it provides, and it’s up to us to provide beat, time, signature, and meter, up to us to offer the pulse to the eternal dance. Why do we hear it? Why does it move us? Contemporaneous to that, in our lifetime, the planet Mars is the closest it will ever be in orbit to the planet Earth, not in another multibillion million ice ages will it ever be that close again. Furthermore, scientists have also recently spotted an asteroid headed directly toward us, how big is it? How big does it have to be? … That’s the trident visible on our horizon: the black hole in B flat, that’s 1, Mars as close as it will ever get, that’s 2, and the asteroid, headed in our direction makes 3. Self-preservation is the main idea, you’ve got to pick up every stitch, pickle our planet and save it, save ourselves, for the eternal quest ahead, peace on earth, goodwill towards men, survival of the fittest, in search of the dominant gene, the eternal treadmill, the journey, the groove, and the run of things.

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Winner! Ang Lola Mo! (Ang Kagila-gilalas na Sugo na si Zsazsa Zaturnnah)

February 1st, 2009

reposting… Showing uli: Feb. 6,7,8.13,14,15 8pm, Feb. 7,8,14,15 3pm, Tanghalang Aurelio Tolentino (CCP Little Theater)

Winner! Ang Lola Mo! (Ang Kagila-gilalas na Sugo na si Zsazsa Zaturnnah)
ni Michael Ian Lomongo

Ano pa ba’ng masasabi ko sa “Zsazsa Zaturnnah ze Muzikal” ng Tanghalang Pilipino kundi pawang papuri?

Gustung-gusto ko ang musika at ang mga nagsiganap; punung-puno sila ng puso. Jologs na produksyon, low-tech. Walang kagila-gilalas sa mga “special effect” nito. Ngunit kamangha-mangha at nag-uumapaw sa puso, imahinasyon, at pagkamalikhain ang buong produksyon. Pasasalamat at papuri sa may-akda (Carlo Vergara), tagapagsalin sa dula (Chris Martinez), direktor (Chris Millado), kompositor (Vince de Jesus), at sa mga aktor (Eula Valdes, Arnold Reyes, Lauren Novero, Kalila Aguilos, Wilma Doesnt, Vincent de Jesus, Tuxqs Rutaquio, Ricci Chan, Joey Paras, Nar Cabico, et al.).

Nakakaaliw panoorin. Hindi sayang ang panahon at perang gugugulin mo sa panonood nito. Ngunit sa pagtatapos ng tawanan ay ang paghahanap ng kahulugan. Kung kaya pagtutuunan ko ng pansin ang isang tanong na sa palagay ko’y ibinabato sa atin ng kwento ni Zsazsa Zaturnnah:

Paano ba maging isang superhero o kaya’y bayani?

Saan nagmumula ang mga pangyayari upang ang isang tao ay maging bayani? Likas ba ito sa kalooban ng isang tao, o aksidenteng lumalabas ayon sa mga pagkakataon? Galing sa loob o sa labas? Basal (native) ba ito o dayuhan?

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Nietzsche, Hume and the Buddha

January 17th, 2009

reposting… november, 2003.

best regards,

ian

Nietzsche, Hume and the Buddha

When I first heard of Nietzsche, it was in association with Hitler and the Nazis. I simply dismissed him as a rabid, power-hungry maniac who probably had an unhappy childhood. A classmate in college wrote a paper on this Nietzsche guy and I was silently chuckling on the thought that a comic book idea (“superman”) can be the subject of a scholarly paper.

But when I did get to read him (years later), I was simply won over by this crazy guy! He says provocative things that, when thought about, actually make sense. He’s probably among the few philosophers who doesn’t come across as an insipid intellectual. He’s got style, lots of it. He doesn’t say things just for effect (although sometimes it feels like that). He’s an artist, an artist-philosopher. He’s very passionate and his sincerity comes across. He also has a weird sense of humor. Indeed, he writes with his blood. Indeed, he’s a dynamite.

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Para Mama! (Para Nga!!!)

January 10th, 2009

Para Mama, Para Nga!!!
(isang monologo para sa bagong taon)

alay sa mga bwakanang files ko na nabura noong bisperas ng bwakanang bagong taon…

ni Body Dancer

Sampung taon na ang nakararaan ng una akong mag-odisyon para maging scholar ng Tanghalang Pilipino Actors’ Company. Mula sa mahigit limampung ininterbyu bago mag-odisyon, naiwan kaming kulang-kulang 20. Tatlong araw yung odisyon. Bawa’t araw, nababawasan kami. Matira matibay. Survival of the fittest. Darwinian natural selection. Selecta. Choose your own adventure.

Umabot ako sa pangatlong araw.

But ultimately failed to make the grade.

Almost made it. But didn’t.

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Felix (d) Culpa (Cat)

August 2nd, 2008

Felix (d) Culpa (Cat)!

O Felix culpa! (“O Happy Fault!”) – St. Augustine

1. I love filipino komiks! I used to read Wakasan, Aliwan, Tagalog Klasiks, Superstar, Pilipino, and others whose names I forget at the moment. Of course, there was also Liwayway… =)
2. Myth is greater than fact. Fact is just, well, a fact. Boring.
3. That women are considered evil by men is just the fear/fascination they have for mystery/strangeness/otherness. What is strange/other is conveniently reduced to “evil.” But these are the “little men,” the “last men.”
4. As for me, I love women. Ergo, I love evil! Mwahahaha! Nietzsche: “What if truth were a woman?” Then the metaphysicians of old would grow weak and discouraged, their monolithic dick-truth going flabby and limping, sad… But not only is truth a woman (read: truth is a lie), life itself is woman!

felicitous and culpable,
ian

Cidera by Infinity and Accident, Nov. 2007

July 27th, 2008

accident.jpg

Lamay: Pakikiramay, Buhay, Kamatayan

July 24th, 2008

isang eulohiya para kay Ramon Jose Leyran, sinulat noong Octubre 10, 2003.

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Lamay: Pakikiramay, Buhay, Kamatayan
ni Michael Ian Lomongo

Kung di ako nagkakamali, nabuo raw ni Wency Cornejo ang kantang “Habang May Buhay” sa isang lamay. Kakaiba nga ang lamay ng mga pinoy: sa mga probinsiya, may pasugal (madyong, baraha, trembe), may inuman pa sa iba, may mga laro (juego de prenda), may kantahan, kwentuhan, tugtugan, may pakain din (kape, tinapay, biskwit, sopas, kendi, atbp.). Para ngang lagi tayong naghahanap ng dahilan para magkaroon ng selebrasyon.

Minsan, meron akong kababata at kaklase sa elementaryang namatay. Malalaki na kami nang maaksidente si Rhey sa motorsiklo. Natural, nagkita-kita sa lamay ang mga dating magkakaklaseng bihira nang magkasama-sama. Meron din kaming kaklaseng nasa ibang bansa noon. Tumawag siya (si Elna) sa telepono at nakibalita sa isa sa amin, at ang sabi niya: “Magkakasama kayo d’yan? E ‘di ang saya-saya n’yo!”

Hindi na siguro kakatwang makakita ng mga taong tumatawa habang tumutulo ang luha sa mga lamay. May lungkot dahil sa pangungulila sa isang kasama o kaibigang hindi na makakahuntahan o makakabiruan. May saya dahil may pasasalamat sa magagandang ala-alang pinagsaluhan ng magkakaibigan.

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