Archive for the ‘Acting’ Category

Today I’m Going To Make an Effort


2012
03.20

Today I’m Going To Make an Effort

Early this morning I woke up
With a feeling of dread…
I’m supposed to perform
I’m supposed to write a poem
I’m supposed to perform.

I’m not a poet.
I love words
I love poetry
I love to perform
But I’m not a poet.
I like to think I have
Some poetic sense
Some poetic sensibility
Some poetic imagination.
But if that were enough to make a poet
Then we’d all of us be poets.

Poetaster, philosophaster
(I!)
But not a poet.

Besides, I have to rehearse for a play
My friends and I are mounting
(For some start-up company we’re building)
And I have to attend a meeting
For updates on the collaboration
My other friends and I are doing
With Indonesian artists
(For some art project for Hongkong and Liverpool).
And last night, I kept drinking,
Imagining that the intoxication would help me,
Would loosen up my tangled state of mind
And transport me to some dreamed-of realm
Of Dionysian ecstasy and inspiration.

But all I ever did bring about is just,
Well, intoxication, no, make that plain,
Simple drunkenness.

And so I just watched TV
Hoping that some lucky lurking serendipity
Would jump on me and knock my head
And make me see poetry in some inane, late night movie
With Patrick Swayze as a bouncer with a philosophy degree.
And somehow (I noted with a bit of glee), I felt
I was on the edge, on the verge
Of some wondrous breakthrough.

But I just remained
Suspended, on the verge,
Without the breakthrough.

I fell asleep with a feeling of dread.

I woke up with that same feeling of dread
Compunded with a nasty headache
From the drinking and the lack of sleep.
I didn’t want to get up
I didn’t want to commute
I didn’t want to take a bath.

I just want to lie on my bed.
I just want to lie, sleep…

“To sleep, perchance to dream.  Ay! There’s the rub
For in that sleep of death, what dreams may come
When we have shuffled off this mortal coil
Must give us pause…”

Still, I got up.

Today, I’m going to make an effort.

One step, two steps
One little step, one baby step
One foot in front of the other,
The other foot in front of the one.

Today I’m going to make an effort.

I took a bath
I hailed an FX
I hailed a taxi
And was late for rehearsals.

During rehearsals, I began writing this shit.

Then it was my turn to rehearse.
I’m this lawyer who got his MA in Harvard,
His Ph.D. in Yale, and who’s supreme ambition
Is to become a magistrate in the supreme court.

Today I’m going to make an effort.

And maybe someday
Maybe one day,
I’m gonna break
Walls, break
Through!

To the other side.

Made in Vietnam, Born in the Philippines


2010
04.02

(old letters: May 7, 2000)

Kathleen, Michaell, Jan, Leanne, Carl, and Dante,

Still trying to catch up reading your letters. Congratulations! to Carl, for making it to Steppenwolf and to Jan, for completing your doctorate…

Am annotating a six-week workshop for basic acting (adults), am learning a lot in the process…

Cameron Macintosh’s “Miss Saigon” is going to be staged here… not too happy about that… they are spending a lot of money to do that, money which could have been used to produce shows which are more relevant and “Filipino.” As some have remarked, it’s a western play with a western viewpoint, conceptualized and directed by westerners, utilizing asian talents.

No doubt, because of it, Filipinos came to be recognized as more than mere “domestic helpers.”

And it would certainly be a rare treat for Filipinos to watch big mechanized, revolving stages and helicopters descending on the stage… but the thing is, it won’t help much in the development of Philippine theater. In the process, they’re also displacing the Philippine Philharmonic Orchestra, Ballet Philippines, and Tanghalang Pilipino (where I am a scholar-member of its Actors’ Company) from the Cultural Center of the Philippines (where Miss Saigon’s gonna be staged). Of the eight to ten plays mounted by TP per season, only four would be at the CCP (because of Miss Saigon). The CCP conference room, which has been the regular rehearsal room of TP’s plays, would be transformed into an office of the Miss Saigon guys.

I don’t know, even though I was made in Vietnam (really! my parents met there.), I’ve never really liked Miss Saigon… (I’ve never seen it… but I’ve never seen “Les Miserables,” too, and I like it.)

Am intending to become a freelance writer, while also auditioning for plays, etc.

Salamat.

ian

Dulaang UP’s Production of Frank Wedekind’s “Lulu”


2009
08.03

Dulaang UP’s Production of Frank Wedekind’s “Lulu”

LULU is a story of a person who has no qualms about the body and its sexual needs. Lulu, who is the alluring woman in the English version and the captivating transsexual in Filipino, is a being able to explore and express her desires without compromise or guilt. Adored and lusted after by men, women and creatures of the world, she takes them to a dance of bodily freedom, of the mind’s liberation and of utter ecstasy. But like any other person, Lulu searches for the other that could accept and understand her seemingly deviant nature.

In her hunt, Lulu meets a myriad of “civilized beasts”: painters, writers, the educated and the ignorant, the rich and poor men, the young and the dying who are upright and honorable by day but transform to hungry animals in the dark. Lulu embraces each person only to find him or her weak and forever trapped by man’s idea of propriety.

English Cast:
Che Ramos as LULU
Angeli Bayani as GESCHWITZ
Jules de la Paz as GOLL / HUGENBERG / HUNIDEI
Missy Maramara as JACK / RINGMASTER
Paolo O’Hara as DR. SCHON / CASTI-PIANI
Meynard Penalosa as SCHIGOLCH
Gabs Santos as ALVA SCHON
Randy Villarama as SCHWARZ / RODRIGO

Filipino Cast:
Tuxqs Rutaquio as LULU.
Acey Aguilar as SCHWARZ / RODRIGO
Alexander Cortez as SCHIGOLCH
Jules de la Paz as GOLL / HUGENBERG / HUNIDEI
Ian Lomongo as DR. SCHON / CASTI-PIANI
Jojit Lorenzo as JACK / RINGMASTER
Andoy Ranay as GESCHWITZ
JC Santos as ALVA

Direction and Choreography: Dexter M. Santos
Filipino Translation: Joel Saracho
Production Design: Tuxqs Rutaquio
Lights Design: John Batalla
Dramaturgy and Additional Text: Patrick Valera
Sounds Design: J Victor Villareal
Photography and Poster Design: Jojit Lorenzo
Poster Art Direction: Carlo Vergara

LULU will open on Aug 5 and will run till Aug 23 at the Wilfrido Ma. Guerrero Theater, UP Diliman.

English:
5 August 7pm – Opening
6 August 7pm
7 August 7pm – Gala
8 August 10am, 3pm
9 August 10am, 3pm
19 August 7pm
22 August 10am, 3pm

Filipino:
12 August 7pm – Opening
13 August 7pm
14 August 7pm – Gala
15 August 10am, 3pm
16 August 10am, 3pm
20 August 7pm
21 August 7pm
23 August 10am, 3pm

THIS PRODUCTION CONTAINS SCENES AND MATERIAL STRICTLY FOR MATURE AUDIENCES.

Ganap


2009
07.27

Ganap.
(ni Miguel Juanjo (a.k.a. Wang-Ho) Tiamson Lomongo)

“Kailan kaya sasapit ang araw ng pagiging ganap
Ng lahat ng ating mga pinapangarap?”

Araw-araw, patuloy ang paghahanap,
Patuloy… maging ang pagpapanggap,
Patuloy ang pag-aapuhap,
Patuloy ang pagganap
Sa tungkulin, kahit walang kahina-hinagap
Sa katotohanang pinapangarap magagap,
Malanghap… Malasap!

Ano nga ba’ng nagaganap sa mga nagsisipagganap
Sa mga pagtatanghal na’ting kinakaharap?
Ay! Masalimuot na prosesong may kung anu-anong sangkap!
Mapa-dula man o pelikula, ang pagganap
Maihahalintulad sa pagdadalisay at pagbubusilak
Ng paglalaba. Mga damit na ginagamit
Sa pagharap sa sangmaliwanag, binabasa, pinapalo, pinipitpit,
Kinukusot, sinasabon. (Ang sabon, tulad ng tubig
At baha, lumilinis at pumapatay, sa pamamagitan ng bula…
Mga bulang tulad ng katotohanan, buhay, at dula,
Naglalaho, nawawala.)
At matapos banlawan, mga damit ikukula,
Isasabit sa sampayan
Upang sa liwanag ng araw masilayan.
Gayundin ang kinasasapitan ng mga damdamin, isip,
Guni-guni, panaginip, libog, pag-ibig, galit, pangamba, pananalig:
Dinadalisay, binubusilak, binabasa, sinasabon, pinapalo, pinipitpit,
Kinukusot, binabanlawan, ‘kinukula,
At saka ngayon pinaplantsa, upang maikubli ang mga gusot sa mata.
Mga maskarang tulad ng damit pinagpapalit-palit
Sa pangangarap na magampanang ganap
Ang pagganap.

Samantala, patuloy sa paghahanap…
Tuloy-tuloy maging pagpapanggap…
Tuloy-tuloy sa pag-aapuhap…
Tuloy-tuloy sa pagganap
Sa tungkulin, kahit walang kahina-hinagap
Sa — katotohanan, kabutihan, kagandahan, kaligayahan –
KaGANAPang pinapangarap magagap
Malanghap… Malasap!

“Kailan kaya sasapit ang araw ng pagiging ganap
Ng lahat ng ating mga pinapangarap?”

Ganap.

Ika-14 ng Disyembre, 2004

Para Mama! (Para Nga!!!)


2009
01.10

Para Mama, Para Nga!!!
(isang monologo para sa bagong taon)

alay sa mga bwakanang files ko na nabura noong bisperas ng bwakanang bagong taon…

ni Body Dancer

Sampung taon na ang nakararaan ng una akong mag-odisyon para maging scholar ng Tanghalang Pilipino Actors’ Company. Mula sa mahigit limampung ininterbyu bago mag-odisyon, naiwan kaming kulang-kulang 20. Tatlong araw yung odisyon. Bawa’t araw, nababawasan kami. Matira matibay. Survival of the fittest. Darwinian natural selection. Selecta. Choose your own adventure.

Umabot ako sa pangatlong araw.

But ultimately failed to make the grade.

Almost made it. But didn’t.

(more…)

Lamay: Pakikiramay, Buhay, Kamatayan


2008
07.24

isang eulohiya para kay Ramon Jose Leyran, sinulat noong Octubre 10, 2003.

—————————————————————–

Lamay: Pakikiramay, Buhay, Kamatayan
ni Michael Ian Lomongo

Kung di ako nagkakamali, nabuo raw ni Wency Cornejo ang kantang “Habang May Buhay” sa isang lamay. Kakaiba nga ang lamay ng mga pinoy: sa mga probinsiya, may pasugal (madyong, baraha, trembe), may inuman pa sa iba, may mga laro (juego de prenda), may kantahan, kwentuhan, tugtugan, may pakain din (kape, tinapay, biskwit, sopas, kendi, atbp.). Para ngang lagi tayong naghahanap ng dahilan para magkaroon ng selebrasyon.

Minsan, meron akong kababata at kaklase sa elementaryang namatay. Malalaki na kami nang maaksidente si Rhey sa motorsiklo. Natural, nagkita-kita sa lamay ang mga dating magkakaklaseng bihira nang magkasama-sama. Meron din kaming kaklaseng nasa ibang bansa noon. Tumawag siya (si Elna) sa telepono at nakibalita sa isa sa amin, at ang sabi niya: “Magkakasama kayo d’yan? E ‘di ang saya-saya n’yo!”

Hindi na siguro kakatwang makakita ng mga taong tumatawa habang tumutulo ang luha sa mga lamay. May lungkot dahil sa pangungulila sa isang kasama o kaibigang hindi na makakahuntahan o makakabiruan. May saya dahil may pasasalamat sa magagandang ala-alang pinagsaluhan ng magkakaibigan.

(more…)

FAKERY AND AUTHENTICITY IN RICHARD ATTENBOROUGH’S “GREY OWL”


2008
05.17

Saw Richard Attenborough’s “Grey Owl” on TV. (Saw “Gandhi” in my elementary school years.) It featured Pierce Brosnan as Archie Belaney, a.k.a. “Grey Owl.” Based on a true story.

Loved the movie. Like “The King of Masks,” it touched on the relationship between living an authentic, passion-filled life and merely “playing” a role/part. Or more derogatorily, merely “faking” it.

Can one live an authentic life when one is engaged in a deception? Can one have “authority” when “authenticity” is lacking? What does it mean to be “authentic”?

(more…)

The Actor as Shaman (Thoughts on Wu Tianming’s “The King of Masks”)


2008
05.14

The awareness of the shamanic aspect of acting (the actor as an agent of positive change in society) is one of the things that I liked in “The King of Masks.”

Society has always been ambivalent to actors.

On the one hand, people are fascinated by the magical, yes, shamanic capacity of the actor to become other than what and who he is. Acting was first done by priests/shamans. There has always been that mystical/divine/spiritual/religious aspect to acting.

And yet, because of that possibility of entering into the nature of “things,” actors themselves can be waylaid and thrown off, especially by the dark daemonic qualities of persons and things. This is what probably scares a lot of people. Actors get to cross boundaries and societal taboos with some measure of impunity – anyway they’re just fulfilling their roles. But when the iconoclasm breaks through from art to real life… uhuh… that’s where it becomes dangerous and suspicious.

Thus actors too were regarded as immoral people, lumped with the gypsies and criminal elements.

(more…)

The King of Masks by Wu Tianming


2008
05.07

“The King of Masks” (by Wu Tianming), a heart-warming (if a bit melodramatic and, according to a friend, emotionally manipulative) Chinese film with English subtitles.

Loved it. And am recommending that you take the time to watch it.

Reasons to watch it:

1) It features a monkey.
2) It has nudity. (Extreme close-up!) Hahaha!
3) It has the “Living Bodhisattva” in it.
4) It underscores the “non-essentiality”/accidentality of some of our societal masks (like gender, for instance) in what truly matters.
5) It’s about having passion and developing compassion.
6) It’s about the interweaving of life, art, and love.

Don’t miss it, especially if you’re an actor/performer.

Best regards,

thesp-ian

Going with the Rhythm


2008
01.24

Reflections on my limitations as an actor/artist, 2003.

best regards,

ian

—-

Going with the Rhythm

By Michael Ian Lomongo, 2003

Ah! If it were only possible to begin a task with the very lessons that one has gained in the process of doing it, one perhaps might be better equipped to meet the challenges posed by that task.

When I first read the script of Rhythm Method (in its English translation), I immediately liked it because it was both light/funny and weighty/serious. It was about Dr. Ogino Kyusaku, the doctor who first correctly determined the ovulation period of women and how he made that discovery. It had dramatic and comedic scenes, and even raised philosophical/ethical and gender issues. I thought it would be nice to take on the role of this doctor who was so consumed by his work that he didn’t know how to go about doing other things. I thought I fit the role and so told Herbie Go (the director) that I would like to audition for the role or even be the understudy for it. Herbie did give me the part.

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