Archive for April, 2010

A Rehearsal for Dying


2010
04.04

A Rehearsal for Dying
By Michael Ian Lomongo

“To conquer death, you only have to die… you only have to die.” – Jesus Christ, in Webber/Rice’s “Jesus Christ Superstar”

I was a young kid then when my brother Errol and I used to play with toy guns, soldiers and tanks. Once, our mother heard us talking about wiping out each other’s “men.” She said that we shouldn’t be talking so cavalierly about killing and deaths because, in the real world, lives that are taken are lost, well, permanently.

At about the same time, during the proclamation of faith in one mass that we attended, I heard Errol sing “Si Kristo’y namatay, si Kristo’y nabuhay, si Kristo’y babalik sa wakas ng panahon.” I told our mom that my brother’s got it all wrong, that it should be “Sa bakas ng panahon.” Only to find out that I was the one who’d been singing it wrongly all this time.

That night, I couldn’t sleep. I tried to imagine what it would be like at the end of time. I thought there would only be trees and birds. (I even imagined the sunlight filtering through the trees and the birds chirping in an early “people-less” morning.) Everyone I know (including me), and even those I hardly know and don’t know at all, would be gone, dead. It was awful.

I thought people didn’t really die. I thought that they soon got up from their graves or from wherever or whatever they’ve been lying, just like those numerous people who get killed in action movies. And to top it all, there was such a thing as the “end of time.” Oh God!

(more…)

Made in Vietnam, Born in the Philippines


2010
04.02

(old letters: May 7, 2000)

Kathleen, Michaell, Jan, Leanne, Carl, and Dante,

Still trying to catch up reading your letters. Congratulations! to Carl, for making it to Steppenwolf and to Jan, for completing your doctorate…

Am annotating a six-week workshop for basic acting (adults), am learning a lot in the process…

Cameron Macintosh’s “Miss Saigon” is going to be staged here… not too happy about that… they are spending a lot of money to do that, money which could have been used to produce shows which are more relevant and “Filipino.” As some have remarked, it’s a western play with a western viewpoint, conceptualized and directed by westerners, utilizing asian talents.

No doubt, because of it, Filipinos came to be recognized as more than mere “domestic helpers.”

And it would certainly be a rare treat for Filipinos to watch big mechanized, revolving stages and helicopters descending on the stage… but the thing is, it won’t help much in the development of Philippine theater. In the process, they’re also displacing the Philippine Philharmonic Orchestra, Ballet Philippines, and Tanghalang Pilipino (where I am a scholar-member of its Actors’ Company) from the Cultural Center of the Philippines (where Miss Saigon’s gonna be staged). Of the eight to ten plays mounted by TP per season, only four would be at the CCP (because of Miss Saigon). The CCP conference room, which has been the regular rehearsal room of TP’s plays, would be transformed into an office of the Miss Saigon guys.

I don’t know, even though I was made in Vietnam (really! my parents met there.), I’ve never really liked Miss Saigon… (I’ve never seen it… but I’ve never seen “Les Miserables,” too, and I like it.)

Am intending to become a freelance writer, while also auditioning for plays, etc.

Salamat.

ian