Archive for March, 2009

Nietzschean Buddhism Redux


2009
03.27

I’ve been trying to examine my understanding/misunderstanding of the place of eros/desire” in Buddhism and Western philosophy. Re-read Plato’s “Symposium.” (Will had “Phaedrus.” Also the “Dhamappada.”)

Yes, it’s true. I got my understanding of Buddhism mainly through Western interpreters. Jacques Maritain’s “Introduction to Philosophy,” if I remember correctly, makes a distinction between Hinduism and Buddhism that’s quite striking. He says that while 11Hinduism saw INDIVIDUAL EXISTENCE as evil, Buddhism saw EXISTENCE ITSELF all Hindus meant the return to Brahman. (The world is maya/illusion.) The Buddhist Nirvana, on the other hand, is the “cessation of life,” which meant the “cessation of desire.”

In “The Birth of Tragedy,” Nietzsche tells this story about a man who confronts the laughing Silenus about the secret of life. Silenus tells the inquirer, “Do you really want to know? … Here it is: It were better for you not to have been born. And the next best thing? To die early.”

Nietzsche acknowledges the pessimist Schopenhauer as a major influence to his o thinking. Always the onfused mind, I may have mixed all these stuff in my head.

But it’s still quite true that “eros/desire” in both Christianity and Buddhism has been, so to say, problematized. The tradition of Christianity has a wealth of discourses on the dangers posed by desire and has probably more than a number within its tradition whose solution to the problem is to extinguish it, cut it off. The Buddhist notion of detachment/equanimity appears to be quite similar to Stoicism, a kind of indifference to life’s vicissitudes. And the way I see it, this detachment/indifference can only be attained through the weakening of eros/desire.

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Excerpts from “When Fish Talk: A Retrospective” by Pancho Vera Lapuz (in NU107 Rock Awards X Mag)


2009
03.09

Excerpts from “When Fish Talk: A Retrospective” by Pancho Vera Lapuz (in NU107 Rock Awards X Mag):

“… The only thing that doesn’t change is change. Less than a month ago, scientists discovered a black hole in space that emits a tone in the key of B flat. In the key of C, that is the minor 7th note, which could make the C scale Dominant, or Blues, or it could be a chromatic passing tone, Jazz, on its way up to the Major, down to the diminished, or through to the melodic minor. It could even be in its own scale of B flat, indifferent, arrhythmic. No mention of rhythm, just tone. It takes both tone and rhythm to make music, in the standard sense. Maybe tone is all it provides, and it’s up to us to provide beat, time, signature, and meter, up to us to offer the pulse to the eternal dance. Why do we hear it? Why does it move us? Contemporaneous to that, in our lifetime, the planet Mars is the closest it will ever be in orbit to the planet Earth, not in another multibillion million ice ages will it ever be that close again. Furthermore, scientists have also recently spotted an asteroid headed directly toward us, how big is it? How big does it have to be? … That’s the trident visible on our horizon: the black hole in B flat, that’s 1, Mars as close as it will ever get, that’s 2, and the asteroid, headed in our direction makes 3. Self-preservation is the main idea, you’ve got to pick up every stitch, pickle our planet and save it, save ourselves, for the eternal quest ahead, peace on earth, goodwill towards men, survival of the fittest, in search of the dominant gene, the eternal treadmill, the journey, the groove, and the run of things.

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